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NPR (National Public Radio) is an internationally acclaimed producer and distributor of noncommercial news, talk, and entertainment programming. A privately supported, not-for-profit membership organization, NPR serves a growing audience of 27.5 million Americans each week in partnership with more than 860 independently operated, noncommercial public radio stations.
NPR
HowStuffWorks explains thousands of topics, from engines to lock-picking to ESP, with video and illustrations so you can learn how everything works.
HowStuffWorks.com
HowStuffWorks - Learn How Everything Works!
Contemporary drama in a rural setting from the world's longest running radio soap opera.
BBC Radio 4
KCRW 89.9 FM is a Free Internet Public Radio Station of Santa Monica College, in Los Angeles, California - Streaming Live Independent Music, NPR News, and Talk
KCRW
KCRW 89.9 FM | Internet Public Radio Station Streaming Live Independent Music & NPR News Online from Los Angeles, CA - KCRW
American Public Media, a nonprofit 501(c)(3) organization, is the largest owner and operator of public radio stations and a premier producer and distributor of public radio programming in the nation. It is also the largest producer and distributor of classical music programming in the United States.
American Public Media
Home | American Public Media
WNYC 93.9 FM and AM 820 are New York's flagship public radio stations, broadcasting the finest programs from National Public Radio and Public Radio International, as well as a wide range of award-winning local programming.
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PBS and our member stations are America’s largest classroom, the nation’s largest stage for the arts and a trusted window to the world. In addition, PBS's educational media helps prepare children for success in school and opens up the world to them in an age-appropriate way.
We invite you to find out more about America’s largest public media enterprise.
PBS
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization.[3] Its website is the most popular American online newspaper website, receiving more than 30 million unique visitors per month.[4]
The New York Times
J.C. Hutchins is an award-winning fiction and nonfiction storyteller, with 15 years of professional writing experience. His two novels – 7th Son: Descent and Personal Effects: Dark Art — were published in 2009 by St. Martin’s Press.
J.C. Hutchins
I’ve been a pilot for a major U.S. Carrier since 1989. Before that I flew A-10s for the Air Force. I was stationed at RAF Bentwaters in the UK, and then at McClellan AFB in California. I left the Air Force and then we won the cold war. I think it was just a coincidence
Joe d'Eon
Arts, culture and city life from WNYC, New York Public Radio, 93.9 FM, 820 AM.
WNYC Culture
IndieFeed delivers fresh and quality-filtered music selections to audiences seeking extraordinary content experiences. Unlike mass-oriented broadcast companies, IndieFeed delivers targeted, single-serving shows optimized for desktop and mobile use, providing valuable content choices for busy quality-conscious people.
IndieFeed.com Community
Barknknit Podcast
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A podcast about dogs, dog training, dog health, knitting, spinning, fiber, yarn, stitch friends, and other adventures Gnat might enjoy. Gnat will share techniques and stories.
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Chris Oatley is a visual development artist and content creator for film, television and other media. The aim of this podcast is to inform and inspire creatives of all types and to reveal and record the process behind his work.
Chris Oatley's ArtCast
"Stage Door Johnny: John Miller Takes on Broadway" is a witty and
unconventional take on the Broadway songbook from New York's top bassist and
music coordinator for nearly 100 Broadway and Off-Broadway musicals.
Celebrate Miller's breakout debut CD with this podcast series including
fascinating insights into his influences and his role in shaping the sound
of the Great White Way for the last thirty years. As he slyly reinvents a
dozen Broadway standards, listen to behind-the-scene stories on each track
from the laidback James-Taylor-charm of "Wouldn't It Be Loverly?," to the
smooth Latin "Real Live Girl." "Secret Love" from "Calamity Jane," sizzles
with a jazz and funk-inspired arrangement. For "Fugue for Tinhorns," Miller
is joined on vocals by legendary jazz singer/songwriter Bob Dorough and The
Manhattan Transfer's Janis Siegel.
Stage Door Johnny: John Miller Takes on Broadway
Recordings of original productions, relevance to music, spoken word, interaction, counterpoint, philosophy, art, poetry, literature, lyric, prose, and progressive thought and mind.
When We Get To Space Camp
The Random Variety Show Podcast (The RVSP) is an eclectic collection of thoughts, ideas, ramblings, interviews, reviews, suggestions and satire generated deep within the vast caverns of the brain of the host and creator, Charley Miller. Each biweekly episode of The RVSP features discussion and commentary; an interview conducted by the legendary Groucho Marx and a variety of guests from all reaches of life, and lastly a few nonsequitur segments that help keep the show together. Join us won’t you? You know you want to!
The Random Variety Show
A dark comedy podcast, sketches from the small hours
4amcab » podcast
A feature-length podcast celebrating the art and entertainment of cinema.
The Hollywood Gauntlet
Do you want to learn how to voice act? Does getting paid to work in voice over sound appealing? Is it your dream to play characters in animation, video games or anime? You've come to the right place! The Voice Acting Mastery podcast is your source for insider information, tips and tricks on how to become a master voice actor in the world of voice over. Hosted by voice actor Crispin Freeman, this bi-weekly podcast will give you the tools and the mindset you need to succeed in voice acting, even if you're just getting started! You'll learn vital information like: What does it take to be a voice actor? How do I break in to the business of voice over? Can I really make money as a voice actor? What sort of recording equipment do I need? How do I create a home studio? Do I need a demo? How do I find an agent? and much more! Whether you're new to voice acting or already have a career in voice over, you'll find valuable information in the Voice Acting Mastery podcast!
Voice Acting Mastery: Become a Master Voice Actor in the World of Voice Over
Quick, candid communiques that bring a burst of energy to your projects and your life. Follow the making of "It's a Good Day to Die" from script to market over 52 Tuesdays.
fearlessactress
For the first time, a podcast done from a war zone is here. Inside the wire live from Afghanistan gives you the real conversations from service members and civilians alike living, working and fighting in Afghanistan, a very much active war zone. That shows no sign of ending. Hear where they come from, how they got to Afghanistan and how they cope with living in Afghanistan and living with the isolation.
Inside the Wire Live from Afghanistan with JC Rademas is a show very adult in nature. It is not suitable for anyone under 18 or easily offended. All names have been changed to protect the innocent, the guilty and operation security (OPSEC) so please listen and enjoy.
Inside the Wire: Live from Afghanistan with JC Rademas
In-depth interviews with today's best hip-hop artists.
Outside the Lines With Rap Genius
New Frequency welcomes you to the golden age of NEW MEDIA by presenting vital and cutting edge mini-plays LIVE onstage, all recorded for worldwide distribution on iTunes! Comedy, drama, mystery, horror, noir, science fiction, western, detective -- New Frequency rocks it all. THIS is drama amplified!
New Frequency
Assorted stories from KUOW-FM
KUOW-FM: KUOW Presents
Up to date news, information, rumors and gossip about the award winning men's barbershop chorus - the Alexandria Harmonizers from Alexandria, Virginia.
Tune in for the singing tips, Barbershop harmony news, a little humor and an inside look at what's involved in singing barbershop harmony and communicating the message of a great song.
HarmoCast - Alexandria Harmonizers Barbershop Podcast
The actor, author and artist Antony Sher talks to Sue MacGregor about his career, and his latest role in Travelling Light. This recording is taken from a Platform event in the Lyttelton Theatre in February 2012.
Antony Sher in conversation
The Life of an Assassin is Wrought With Peril...
Sin and Solace: A Dramatic Serial
The Incredible Adventures of Texas Toast and His Talking Dog Jesus chronicles the incredible adventures of Texas Toast, a man who goes on incredible adventures with only a pocket knife and a talking dog to defend himself!?
The Incredible Adventures of Texas Toast and His Talking Dog Jesus
Vasja Progar - (text by Luka Zagoričnik)
Born in 86, Vasja Progar is one of the youngest makers in the field of contemporary music in Slovenia, an insightful and critical thinker, a graduate of biotechnology and a former student of composition and music theory under Uroš Rojko at the Academy of Music in Ljubljana, whose radicality and faithfulness to his own expression made him quit this institution to embark on a study of cognitive systems and interactive media at the University Pompeu Fabra in Barcelona. This compact sentence only neatly discloses Progar’s creativity in the area of music. Young as he is, Progar already presented his compositions in the Slovenian Philharmonic in the frame of the festival Slowind in 2009 and at the Slovene Music Days in the year 2010. His transition from the 2008 composition for choir ‘Ay, Green Are All the Highlands’, a remake of the Slovene folk song, to his later works is abrupt, incorporating and illustrating the tendencies of certain other young Slovene composers, Progar’s colleagues, Matej Bonino and Petra Strahovnik for example, with whom Progar collaborated in the intermedia performance for chamber ensemble, a dancer/singer, live electronics, and video, meaningfully titled ‘Futturismo Hurra!!’, which in its core paid tribute to the historical movement of futurism via the futurist poem of the same title by Luciano Folgore. The intermedia nature of the work, which combines dance, movement, environmental and electronic sounds, and sounds of acoustic instruments, reveals the tendencies of the three young artists, who used to organise discussions, round tables, workshops, and other gatherings together with their colleagues from Škuc Gallery, with which they were boldly breaking down the stuck-up and conservative ways of thinking that overwhelmingly prevail in Slovene classical music. Vasja Progar goes farthest among his colleagues. His 2009 composition ‘Close to Silence’, performed by the acclaimed Slovene contemporary wind ensemble Slowind, is anchored in the current reflections on silence, which are – following John Cage – unwinding in contemporary music for the past twenty years. In this four-part composition, Progar constitutes silence through different perceptions: as a resonance, as latent energy, as absence in relation to sound, as tension and abstraction in relation to music. Which can also be non-music, a reflection, bound to the listener and his/her perception. And it is precisely here that Progar touches upon his idea, which he presents as ‘a focus on research and an unveiling of human perception through art form’. Today, Progar enacts this idea, this search in numerous art environments, besides the music and sound ones, also in multimedia and interactive performances. These include video artists, dancers, and poets, as for example in collaborations with Spanish, Chinese, Japanese, and Lebanese poets presented at the Ljubljana-based festival Live Literature in the years 2009 and 2010. Progar has opened up the thresholds of our perception and the senses even more in his interactive installation ‘Threshold’, where he – negotiating the limits of our perception – researches and reveals the boundary lines between perception and interpretation, pursuing an interpretation that is pushed into the elusive sphere of the illogical by the working of the installation itself. In his work ‘Sub / Consciousness’, Progar investigates the space between the conscious and the unconscious by using different audiovisual stimulants, which take the form of pre-prepared sound textures, measurements of the heartbeat rate or body’s blood pressure, and other visual stimuli mediated by the video by Ana Čigon and Rot Pulojva. These are then submitted to further sound manipulation and positioned into the space of the conscious and the unconscious, into a space through which we enter and exit the real and the virtual. The piece was presented at the exhibition and series of sound events, installations, and perf
Vasja Progar - 7 skladateljev ZVO.ČI.TI (So.und.ing) 2010
Luka Juhart - (text by Luka Zagoričnik)
The accordionist Luka Juhart belongs to that generation of young Slovene musicians, performers, and interpreters who are enthusiastically, painstakingly, and passionately devoted to contemporary music repertoires. That is, to performing contemporary classical music works of the past century and current compositions of foreign and home composers, with whom Juhart collaborates very closely already during the composition process. These compositions often balance precariously on the verge of performability, on the very edge, which not only demands exceptional skills and a refined ear for music – thus intentionally or unintentionally nurturing the virtuoso in the performer himself – but also a considerable ability to co-create, to participate in decision making, and to offer initiatives and decisions about how to read the music and other composition materials. Juhart attracted the attention of the Slovene wider public with compositions by Vinko Globokar and by Uroš Rojko, with whom he often appears in smaller chamber ensembles. Juhart has completed the bulk of his studies abroad, as an instrumentalist. After graduating from Maribor Music High School under Prof. Andrej Lorber, he enrolled to the class of Prof. Hugo Noth at the Academy of Music in Trossingen, Germany. In 2005, he graduated from music pedagogy and in 2006 received an art degree. In 2008, Juhart completed his Master’s degree in the class of Prof. Stephan Hussong at the Academy of Music in Würzburg. Juhart is a multiple winner of international and national competitions, the recipient of the 2001 Roman Klasinc Award for exceptional achievements, the 2002 recipient of the DAAD foundation award for best exchange student at the Academy of Music in Trossingen, Germany, the recipient of the Iris Marquardt Preis Award for best student of the same school, and the 2008 recipient of the Golden Bird Award for music. Besides recording for numerous national and foreign radio stations and collaborating with countless prominent home and international chamber, orchestral, and other ensembles, Juhart spends most of his talents collaborating with the contemporaneous generation of composers. Among others, he has collaborated with Thomas Larcher, Klaus Huber, Eduardo Demzo, Volker Heyne, Adrian Seiber, and Stefan Beyer. At home, he regularly collaborates with Vinko Globokar and Uroš Rajh, and among the younger generation of composers with Bojana Šaljič Podešva and Matej Bonina, for example. His interpretation of Matej Bonino’s composition for accordion, percussions, and a plastic tube ‘One Man Band’ premiered this year in the event ‘Forgotten, Overlooked’, while in 2008 Juhart boldly entered the field of electroacoustic music with a composition for accordion and magnetic tape ‘Meditation on Presence’, composed by Bojana Šaljič Podešva. This year, Juhart appeared alongside Aventure Ensemble and the Freiburg Anton Webern Choir in Uroš Rojko’s work ‘King David’, which was performed in Slovenia and abroad. He also participated as a soloist in Vinko Globokar’s composition for accordion, percussions, the choir, and orchestra ‘Radiographie d’un Roman’, which was performed at this year’s edition of Donaueschinger Musiktage. Juhart is noted not only by a broad repertoire, encompassing a wide range of classical works, not only by virtuosity and an ear for contemporary streaming in music, but also by his playful attitude toward extended performing techniques, toward electronics, and electroacoustic sound, as well as by flirting with performativity, such as is needed, for example, in the interpretation of the extremely demanding Vinko Globokar’s piece ‘Dialogue Uber Luft’, which Juhart performs regularly. Alongside redefining the accordion in the Slovene space, with which he is stepping into a circle of contemporary Slovene accordionists, such as Bratko Bibič, Marko Hatlak, and others, Juhart’s main value and distinction lie precisely in his ear for the works o
Luka Juhart - 7 skladateljev ZVO.ČI.TI (So.und.ing) 2010
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